Understanding Post-Tonal Music
Por: Roig-Francolí, Miguel A.
Editor: New York Routledge 2021Edición: 2.Descripción: 431.ISBN: 978-0-367-35535-7.Tema(s): MUSICA - SIGLO XX - HISTORIA Y CRITICA | APRECIACION MUSICAL | MUSICA - TEORIAClasificación CDD: Mus 781.17 R63U Resumen: 1. Pitch Centricity and Composition With Motivic Cells. 2. Pitch Centricity, Equal Divisions of the Octave, and Symmetry. 3. Introduction to Pitch-Class Set Theory. 4. Analyzing Atonal Music. 5. Drawing on (and Reinterpreting) the Past... 6... And Inventing the Future. 7. Twelve-Tone Music: An Introduction. 8. Twelve-Tone Music II: Invariance, Symmetry, and Combinatoriality. 9. Serialism: Developments After 1945. 10. Expanding the Limits of Musical Temporality. 11. Aleatory Music: Sounds Mass, Texture, and Timbre. 12. Electronic, Computer, and Spectral Musics. 13. Integrating the Past and Reimagining Harmony. 14. Simplifying Means. 15. Into the Twenty-First Century.| Tipo de ítem | Ubicación actual | Ubicación en estantería | Signatura | Estado | Fecha de vencimiento | Código de barras |
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CEMTA | Música | Mus 781.17 R63U (Navegar estantería) | Disponible | 24360 |
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1. Pitch Centricity and Composition With Motivic Cells. 2. Pitch Centricity, Equal Divisions of the Octave, and Symmetry. 3. Introduction to Pitch-Class Set Theory. 4. Analyzing Atonal Music. 5. Drawing on (and Reinterpreting) the Past... 6... And Inventing the Future. 7. Twelve-Tone Music: An Introduction. 8. Twelve-Tone Music II: Invariance, Symmetry, and Combinatoriality. 9. Serialism: Developments After 1945. 10. Expanding the Limits of Musical Temporality. 11. Aleatory Music: Sounds Mass, Texture, and Timbre. 12. Electronic, Computer, and Spectral Musics. 13. Integrating the Past and Reimagining Harmony. 14. Simplifying Means. 15. Into the Twenty-First Century.
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