000			01326nam a22002297a 4500
005			20231110024412.0
008			221007b ||||| |||| 00| 0 eng d
020			_a978-0-367-35535-7
041			_aen
082			_aMus 781.17 R63U
100			_aRoig-Francolí, Miguel A.
245			_aUnderstanding Post-Tonal Music
250			_a2
260			_aNew York _bRoutledge _c2021
300			_a431
500			_aIncluye bibliografía, índice de ejemplos musicales e índice de autores.
520			_a1. Pitch Centricity and Composition With Motivic Cells. 2. Pitch Centricity, Equal Divisions of the Octave, and Symmetry. 3. Introduction to Pitch-Class Set Theory. 4. Analyzing Atonal Music. 5. Drawing on (and Reinterpreting) the Past... 6... And Inventing the Future. 7. Twelve-Tone Music: An Introduction. 8. Twelve-Tone Music II: Invariance, Symmetry, and Combinatoriality. 9. Serialism: Developments After 1945. 10. Expanding the Limits of Musical Temporality. 11. Aleatory Music: Sounds Mass, Texture, and Timbre. 12. Electronic, Computer, and Spectral Musics. 13. Integrating the Past and Reimagining Harmony. 14. Simplifying Means. 15. Into the Twenty-First Century.
650			_aMUSICA - SIGLO XX - HISTORIA Y CRITICA
650			_aAPRECIACION MUSICAL
650			_aMUSICA - TEORIA
942			_cBK
999			_c831272 _d831272